Sculpture by the Sea, Bondi 2026

New South Wales | England

Blue Water Rocket

‘Blue Water Rocket’ is about how used objects are improvised to take on a new life and language. A water rocket is a toy. Water is life. War torn areas of the world make bowsers from the wreckage of war. A rocket has flown around the moon.

Studied at Worthing College of Art, Leeds Polytechnic, Nottingham School of Art, the Royal College of Art, London, and Chelsea School of Art. Scholarships include the Henry Moore Scholarship, Liz Moore Travelling Scholarship and UK Representative for the EU Performing Arts Tour. Represented in public and private collections internationally in Belgium, Canada, Germany, Japan, Spain, UK, USA and FRAC National Contemporary Collection Toulouse, France.

Materials

polyethylene, steel, aluminium, rubber

Dimensions

750 x 650 x 650 cm

$45,000

New Zealand

Kākano & Kōwhai (2024)

The seed pod gives itself entirely to the protection of what it carries within – it’s own structure becoming armour, shelter and sanctuary for the life within.

Ngāti Toa/Pākehā. BFA Otago School of Fine Art 2001. Solo exhibitions include CoCa, Christchurch 2002 - 2007, The Art House, Christchurch 2008 and Artis Gallery, Auckland 2012, 2018. Group exhibitions include Montalto Sculpture Award 2010, 2012 and Lestrange Gallery, New Zealand 2013 - 2019. SxS Aarhus 2009, 2011. SxS Cottesloe three times since 2008. SxS Bondi six times since 2007.

Materials

steel, recyled corrugated iron

Dimensions

496 x 140 x 30 cm

$33,000

New South Wales

Benkei (2016)

For over five decades, Ron RobertsonSwann has shaped Australian sculpture as an artist, teacher and advocate. Trained under Lyndon Dadswell at NAS and later with Sir Anthony Caro and Phillip King at St Martin’s, London, he also worked as an assistant to Henry Moore. A founding member of the Visual Arts Board of the Australia Council, Robertson-Swann was Head of Sculpture at the Canberra School of Art 1978–1989 and NAS (2009–2020). Represented in major collections including AGNSW, AGWA, NGV, NGA, City of Melbourne, City of Devonport, Pt. Leo Estate and Snowy Valleys Sculpture Trail at Tooma NSW. SxS Aarhus 2009, 2015. SxS Cottesloe five times since 2005. SxS Bondi 16 times since 2000.

Materials

steel

Dimensions

156 x 85 x 74 cm

$65,000

New South Wales

Eastern Gate II

Born in Marienbad and raised in Canada. Studied sculpture under Lyndon Dadswell. Keywan, who is represented in public and private collections in both Australia and internationally, is hailed by Washington Post art critic Sebastion Smee as ‘one of the best sculptors we have’. He is the only Australian to have received the Sculpture by the Sea major award twice. Solo exhibitions include Bonython Gallery, Milburn Arte, Annandale Galleries, Sir Hermann Black and Australian Galleries. Represented in the public collections of Bathurst Regional Gallery, Orange Regional Gallery, University of Sydney and Masfjorden Municipality, Norway. First artist to become a Double Decade Club Member SxS Bondi. SxS Aarhus 2009, 2011, 2013. SxS Cottesloe six times since 2006. SxS Bondi 27 times since 1998.

Materials

steel

Dimensions

200 x 220 x 123 cm

Price on Application

Contact Leonie: leonie.allen@sculpturebythesea.com

China

Oh

Through flowing and rhythmic lines to form ‘Oh’, a visual symbol that is both figurative and abstract.

Born Huizhou, China 1989. MFA (Public Art) Shantou University 2014. Artist, curator, publisher and researcher whose practice focuses on Chinese art in public space. Founder and Art Director of Beijing Narrative Space Public Art Office. Exhibitions in China include: Wanrong Yellow River Culture International Sculpture, Shanxi 2020; Chaozhou Art Museum 2021; 7th Southern Public Art Festival 2022; and Dianchi Art Season, Kunming 2024. Integrating artistic practice, curatorial work and research, Lu explores the relationship between art, urban space and public life.

Materials

stainless steel 304

Dimensions

300 x 360 x 153 cm

$80,000

New South Wales

Primal Echo

Developed from a spontaneous maquette, the work carries that same energy, resolving into a simple, balanced form with a hint of tension.

Graduated VCA 1974. Studied St Martins School of Art, London. Awarded an ANU Creative Arts Fellowship in 1978. Represented in collections including: Parliament House Canberra; Pt. Leo Estate Sculpture Park, VIC; ANU; ACT Government Public Art Program; and Snowy Valleys Sculpture Trail at Adelong NSW. McClelland Sculpture Survey 2003, 2007, 2010 and 2012. Recipient Helen Lempriere Scholarship 2010, Sydney Water Sculpture Prize SxS Bondi 1997. Transfield Australian Invited Artist SxS Bondi 2023. Retrospective exhibitions CMAG 2011 and Sculpture at Barangaroo 2017. SxS Aarhus 2009, 2011. SxS Cottesloe 15 times since 2005. SxS Bondi 23 times since 1997.

Materials

painted steel

Dimensions

280 x 400 x 120 cm

$80,000

India

Growth Within

Growth Within symbolises inner transformation, shelter, reflection, and grounded progress, where positive energy blossoms outward into new possibilities.

MFA Assam University, Silchar. Bhattacharjee’s art examines the impact of modern technology on human life, urban space, anonymity, and existential feelings of alienation in city environments. Solo and group exhibitions since 1998 in India and internationally include Central Hall Gallery, Seoul, Modern Art Gallery, Mumbai and CICA Museum, South Korea. Represented in private and public collections including Modern Art Gallery, New Dehli, Indian Art Museum, Seoul and Lalit Kala Academy, New Delhi. SxS Cottesloe 2026. SxS Bondi three times since 2024.

Materials

stainless steel

Dimensions

244 x 82 x 82 cm

$48,000

Argentina

Helical Horizon

The horizon. That unreachable line has come closer to us, moving like the universe in a helical form.

Architecture UBA 1995. Alongside his work as an architect and spatial designer, Propato has developed a practice transposing ideas into monumental installations and art projects internationally including Australia, Argentina, Belgium, England, Ireland and Netherlands. All of his work starts from the inspiration that a place gives him. He is inspired by nature and aims to create a transition between urban and natural space. SxS Aarhus 2013. SxS Cottesloe 2010, 2014. SxS Bondi 2009, 2014, 2024.

Materials

steel

Dimensions

556 x 687 x 547 cm

Price on Application

Contact Leonie: leonie.allen@sculpturebythesea.com

New South Wales

Sweethearts

‘Sweethearts’ uses the visual language of candy to confront the epidemic of violence against women. Heart-shaped graves reflect the number of women killed by violence in Australia this year, many by intimate partners. Inscribed with phrases that excuse, minimise and enable violence, the work challenges the attitudes that allow it to persist.

Sydney-based collective working in public art that engages with issues of social justice and human rights. Omi McCurdie: MFA (Drawing) NAS 2025, BFA (Ceramics) NAS 2023. Matty McCarron: Emmy-winning screenwriter, illustrator and creative director. Philippa Lysaght: a humanitarian and social justice advocate with more than two decades’ experience working across the United Nations system and international NGOs.

Materials

cement, mixed materials

Dimensions

55 x 55 x 13 cm each

$120,000 for the set of 60

TAS

Vents

$125,000 for the set of 9; or $12,400–$19,200 each

New South Wales

Art Eyewash

The more you look at any piece of art the harder it is to see it. Layers of aesthetic theory, critical judgement and art-historical reference pile in, making a clear view next to impossible. Here, ‘Art Eyewash’ becomes invaluable, refreshing vision.

Tipping received a PhD in Creative Arts from UTS in 2007 and is regarded as one of Australia’s most formidable text-based artists working today. He has held solo exhibitions in Adelaide, Brisbane, Melbourne, Sydney and internationally in Cologne, London, Munich, New York and Washington. Represented in public collections including MOMA, NGA, AGNSW, MCA, ArtBank, Getty Center, Los Angeles and Snowy Valleys Sculpture Trail in Batlow NSW. SxS Cottesloe four times since 2013. SxS Bondi 14 times since 1998.

Materials

steel a-frame, reflective tape

Dimensions

102 x 60 x 64 cm

$3,800

New South Wales

The Reach

Very occasionally a work emerges out of nowhere. Not from willing it nor from it being part of a predicated lineage. When it happens, you don’t deny it. This is ‘The Reach’.

Studied sculpture at NAS 1972. Snape has been a full-time sculptor for 53 years. Exhibited in over 30 solo exhibitions. Major commissions include Denman Prospect 2017 and Australian National University, Canberra 2002. Represented in public collections including AGNSW, Orange Regional Gallery, Macquarie University, Powerhouse Museum and the Transfield Collection at Walsh Bay. Helen Lempriere Scholarship 2019. SxS Bondi 19 times since 1998.

Materials

steel

Dimensions

220 x 1200 x 200 cm

$97,500

Western Australia

Drawn Apart

Once bound as one, two entities begin their slow departure. Here, connection and separation coexist in a quiet moment where unity stretches into distance and togetherness hovers on the edge of letting go.

Awarded Western Australian Sculptor Scholarship at SxS Cottesloe 2020 and Best Artwork Award at Fine Art at Hale 2024. Recipient Clitheroe Foundation Emerging Sculptor Mentor Program 2023 under the mentorship of senior artist, David Horton. Represented in public and private collections including City of Melville and City of South Perth. Experienced project lead in fabrication and installation of large-scale public and private artworks. SxS Cottesloe four times since 2020. SxS Bondi 2019, 2023.

Materials

brushed mirror stainless steel

Dimensions

380 x 25 x 25 cm

$52,000

New South Wales

M-fiftyseven

M-fiftyseven continues my investigation into the aesthetic potential of the circular form and what can be achieved through the dissection and reconfiguration of radial forms. I love to create landmark works that convey movement.

BA (Sculpture) Monash 1998. BA (Hons) Sculpture VCA 2002. Commissions including Rabaul and Montevideo Maru Memorial, Australian War Memorial, Canberra 2012 and Metricon ‘Mandalay at Beveridge’ Hume Highway 2009. Group exhibitions include McClelland Sculpture Survey 2014 and Lorne Sculpture Biennale 2018. Recipient Aqualand Sculpture Award SxS Bondi 2018. SxS Cottesloe 2022. SxS Bondi five times since 2008.

Materials

marine grade stainless steel

Dimensions

255 x 186 x 150 cm

$60,000

New South Wales

Both Sides Now

In a world of increasing ideological fracturing, ‘Both Sides Now’ uses the dual-faced ancient Roman god, Janus, as a totem for our global divide. Through faceted mirror planes, the sculpture explores the collapse of common ground. Though Janus looks in opposite directions, each face is physically unable to see the other’s perspective.

BA (Hons) Politics and Media, Northumbria University, UK 2003. Foundation Diploma in Art & Design, Manchester School of Art. Sydney based Ewart has developed an independent practice since 2022, with a focus on figurative ceramic sculpture, large-scale abstract painting and photography. Alongside his art practice, Ewart has a 20-year career as a journalist, producer and creative director, working across leading international media and commercial brands.

Materials

polished steel

Dimensions

281 x 110 x 86 cm

$75,000

New South Wales

Revel Sticks

Revel Sticks is constructed through a generative process akin to a reversal of the game ‘pick-up sticks’. Plasma-cut segments of structural steel settle at unique angles, interlocking to form a sporadic, entangled mass. Each limb is bolted together, colliding with and narrowly missing others.

MFA (Sculpture-HD) NAS 2024. Sessional Lecturer at NAS teaching Experimental Drawing and Sculpture. Solo exhibitions include ‘Revel Making’ at Hazelhurst Arts Centre 2026 and ‘Purple Sky Trains’ at Drawspace, Newtown 2025. Recent group exhibitions include ‘I am not my father’, First Draft, Woolloomooloo 2025. Awarded a Foundations Mentorship with senior artist Harrie Fasher at The Foundations, Portland NSW 2025.

Materials

structural steel

Dimensions

210 x 950 x 550 cm

$28,000

New South Wales | Japan

Panopticon II (2023)

‘Panopticon’ - The eye to observe the world and free your mind.

MVA ANU 2008. Recipient SxS Cottesloe Artists Award 2023. Recipient Tetsuya Wakuda Miniature Sculpture Prize 2009 and Dignam Real Estate Award 2011. Awarded Clitheroe Foundation Mentorship SxS Bondi 2014 and Helen Lempriere Scholarship SxS Bondi 2025. Commission for St Paul’s College, Sydney University 2018. Represented in private collections in Canberra, Melbourne, Sydney, Perth, Singapore, Tokyo, New Zealand and USA. Sculpture Rocks, Sydney 2021. SxS Cottesloe 2014, 2023. SxS Bondi 11 times since 2008.

Materials

steel

Dimensions

103 x 110 x 125 cm

$32,500

South Africa

Impundulu

‘Impundulu’ points to the relevance of laser-cut metal as support and metaphor. The technique offers a détournement of mythological frameworks, and offers a powerful spatial and conceptual presence.

BA, University of South Africa; MFA, University of Cape Town. Emeritus Professor at the University of Cape Town. Works internationally as a sculptor, writer and academic. Awarded a University of Cape Town Creative Arts Award 2012, in recognition of his substantive contribution to contemporary art practice. Solo exhibitions include Monuments et Animaux, Paris 2016. Represented in Snowy Valleys Sculpture Trail at Courabyra Wines NSW. SxS Cottesloe 2019, 2023. SxS Bondi four times since 2018.

Materials

powder coated mild steel

Dimensions

240 x 94 x 60 cm

$18,400

Western Australia

Posidonia Meadows

Suspended between the trees and made from approximately 10,000 recycled wine bottle caps, this kinetic installation reflects the movement of seagrass, inviting viewers to consider ocean ecosystems and their own environmental impact.

BA ECU 2018. Perth based multidisciplinary artist, has exhibited widely across WA since 2018. Group exhibitions include ‘Hatched’ National Graduate Show PICA 2019, ‘Womxn’ Spectrum Gallery ECU 2019 and Mundaring Art Centre 2026. De Biasi’s use of discarded materials reflects her concern about the environmental impact of consumerism. Recipient Laurence Gelmi Prize for Sustainable Sculpture 2025. Awarded the WA Sculptor Scholarship for Fossil, a collaborative work exhibited at SxS Cottesloe 2022. SxS Cottesloe 2022, 2024, 2026.

Materials

aluminium wine bottle caps, steel

Dimensions

200 x 350 x 100 cm

$26,000

New South Wales

Dignity Within the Everyday

Symbolic objects have had a lifelong importance for me. This work elevates some familiar objects beyond their ordinary usefulness.

M Philosophy (Fine Art) University of Newcastle 2010. PhD Philosophy (Fine Art) University of Newcastle 2018. Over 85 group and 35 solo exhibitions including Carriageworks and Newcastle Contemporary Gallery. Represented in public collections including: Maitland City Gallery; Manly Art Gallery and Museum; Muswellbrook Regional Gallery; Newcastle Art Gallery; Stanthorpe Art Gallery; and Town of Cottesloe. SxS Cottesloe seven times since 2007. SxS Bondi 16 times since 2004.

Materials

painted corten steel, aluminium

Dimensions

175 x 25 x 52 cm

$19,500

Japan

Overlap - Into the Sky (K-69)

The sculpture structure is made from 256 layered corten steel plates. A spiral form rises from the ground and overlaps with fourteen spheres that gently ascend, expressing suppressed emotions being released into the sky.

MFA Tokyo Zokei University 1986. Represented in major collections including: Nihon-Kokka-En; Asago Sculpture Park; Snowy Valleys Sculpture Trail in Tumut NSW; and privately in New Zealand. Numerous solo and g roup exhibitions including UBE International Sculpture Biennale 2009 and Kajima Sculpture Competition Tokyo 2016.Sculpture Rocks, Sydney 2021. SxS Cottesloe six times since 2015. SxS Bondi seven times since 2014.

Materials

corten steel

Dimensions

230 x 60 x 60 cm

$58,000

New South Wales

Navarone

This sculpture is an exploration of brutalist monuments which has remained my focus for the past several years. Taking root from Soviet monuments in Eastern Europe my work continues this tradition while adding an extra-terrestrial element.

MFA NAS 2019. BFA (Sculpture) ANU 2014. Group exhibitions in Australia and USA. Residencies in Australia, China, Denmark and Cité Internationale des Arts, Paris 2025. Recipient Clitheroe Foundation Emerging Sculptor Mentor Program SxS Bondi 2019 under the mentorship of senior sculptor Greg Johns. Represented in the Snowy Valleys Sculpture Trail in Batlow NSW. SxS Bondi 2019 and 2022.

Materials

corten steel

Dimensions

282 x 223 x 223 cm

$35,000

New South Wales

Pegasus

Where Pegasus’s hoof struck the earth, a magical spring known as Hippocrene, the ‘Fountain of the Horse’, burst forth. Its waters were believed to bestow poets, writers, and artists with divine inspiration and creativity.

MA NAS 2004. BFA John Moores University, Liverpool, UK 1993. San Francisco Art Institute, USA 1992–1993. Foundation Diploma Farnham Art College, Surrey, UK 1990. Sutton’s work is held in public and private collections worldwide. Major public commissions include an 8m aluminium sculpture for Kai Tak Sports Park, Hong Kong and three monumental figures for the Sydney 2000 Olympic Games. SxS Bondi six times since 2000.

Materials

corten steel

Dimensions

246 x 200 x 350 cm

$77,000

Victoria

Silent Crossing

Silent Crossing captures an owl in flight as a symbol of spiritual passage. Moving between seen and unseen worlds, it embodies quiet guidance, transition, and trust in the unknown. An inward journey carried on silent wings.

Public commissions in Sydney, Canberra, Newcastle, Bowral and Forbes including Transport NSW. Award recipient Gippsland Sculpture Prize in 2019 and Lake Lights 2014, 2015. Represented in Parliament House Art Collection, Canberra, Town of Cottesloe and James Fairfax Estate collections. Awarded Mayor of Waverley Prize at SxS Bondi 2019. SxS Cottesloe seven times since 2009. SxS Bondi ten times since 2004.

Materials

corten steel

Dimensions

249 x 219 x 164 cm

$65,000

New South Wales

Atlas (The Endurer)

Atlas was punished by Zeus to bear the weight of the heavens forever. The Thinker looks on while The Endurer forges on. Like wheelchairs, prams cannot easily navigate the coastal walk stairs.

Sydney based collaborators Pereira and Da Costa Enes share a background in architecture and design. Their collaborations span between sculpture and light installation where they examine public space and the human experience within them. Pereira: BDes (Architecture) USYD 2015. Participated in group exhibitions including Sculpture at Scenic World 2017 and USYD Verge Festival 2014. Da Costa Enes: M Architecture USYD 2019, BDes (Architecture) USYD 2015. Both: Vivid Sydney 2022. SxS Cottesloe 2026. SxS Bondi 2024.

Materials

corten steel

Dimensions

Atlas 180 x 100 x 130 cm; Thinker 148 x 94 x 143 cm

$38,000 for the set of 2; or $20,000–$25,000 each

South Australia

Mythos 3

‘Mythos 3’ is influenced by three sacred statues in a cave in India. I have morphed the statues into contemporary forms, shaped by our sacred landscape. In the digital/AI age it is critically important to keep an understanding of myth alive, to challenge both materialism and reductionism.

Dip FA South Australia School of Arts 1978. Full time sculptor for 50 years. Over 100 major public art commissions, including in England, Ireland, Spain, Melbourne Docklands, and WestConnex. Recipient McClelland Museum Sculpture Prize 2012, Helen Lempriere Scholarship, 2023. Solo exhibitions include Australian Galleries, Melbourne, 2025, McClelland Museum, 2006/7, Robert Steele Gallery, New York 1997 and 2000. SxS Aarhus 2009. SxS Cottesloe 12 times since 2006. SxS Bondi 15 times since 2002.

Materials

corten steel

Dimensions

221 x 250 x 95 cm

$65,000 for set of 3

New South Wales

The Guardians

The Guardians honours the mangrove as a living shield, protecting our coastline and holding land and water in balance. Like living architecture, the mangrove speaks to protection, resilience and stability.

Burns: BCA (Hons) UOW 1994. Murray: BSc UOW 1995. Artists and partners for over two decades, Ulan Murray, a lapsed biologist, and Rachel Burns create nature-inspired sculptures that have received numerous sculpture awards since 2016. Represented in private collections across Australia and internationally. Blending scientific inquiry with artistic expression, their practice explores the intricate relationship between humanity and the natural world, inviting deeper engagement with nature. iShares People’s Choice Award SxS Bondi 2025.

Materials

copper, stainless steel, corten steel

Dimensions

172 x 90 x 90 cm

$38,000

China

The Sound of Dawn

Children play the voice of their hearts, stirred by the wind.

Born in China the artist graduated from Weifang Education College and serves as the art editor for the Weifang Daily. His works have been exhibited in numerous national sculpture exhibitions across China for more than 20 years and internationally in Argentina, Czech Republic, France, Germany, Iran, Peru and Taiwan.

Materials

corten steel

Dimensions

317 x 140 x 185 cm

$48,000

New South Wales

Wayfarer

Storrier has spent five decades painting the self as everything but a face. ‘Wayfarer’ descends from the artist’s Archibald-winning ‘The Histrionic Wayfarer (after Bosch)’ 2012. The work stands as a monument to the anonymous itinerant: a journeyman on the horizon, still exploring.

Painter and sculptor Storrier studied at the National Art School. Awared Fellowship of NAS in 2017. Holds an honorary doctorate from Charles Sturt University. A former Trustee of the AGNSW. Notable awards received: AGNSW Archibald Prize for ‘The Histrionic Wayfarer (after Bosch)’ 2012; Packing Room Prize 2014; The Doug Moran National Portrait Prize 2017. Represented in major public and private collections including AGNSW and The Metropolitan Museum of Art, New York. SxS Cottesloe 2026. SxS Bondi 2025.

Materials

bronze

Dimensions

204 x 120 x 90 cm

Price on Application

Contact Leonie: leonie.allen@sculpturebythesea.com

Japan

Love Sun

Sun shining in the stone.

Collaboration between Tata Ota and Akiho Ota. Tata: Nagoya University of Art. Akiho: Kagawa Meizen Junior College, 1980. Group exhibitions include Yokohama Biennale 1993; 15th Kobe-Sumarikyu Park Modern Sculpture Exhibition 1998; Oita Asian Sculpture Exhibition, 2000. Awarded Jeans Factory Contemporary Art Award and Takamatsu City Cultural Encouragement Award. Represented in the Thompson Estate Collection Margaret River, Snowy Valleys Sculpture Trail in Adelong NSW. Sculpture Rocks, Sydney 2021. SxS Cottesloe 11 times since 2011. SxS Bondi ten times since 2010.

Materials

granite, paint

Dimensions

120 x 170 x 110 cm

$55,000

China

Cloud Watcher

Inspired by poet Wang Wei’s famous line: ‘Walk to where the water ends, sit and watch the clouds rise’.

One of the leading contemporary sculptors in China. Solo exhibitions include: Beijing Minsheng Art Museum, 2019-2020; ‘Allegory Chen Wenling’, Vancouver, Canada, 2021; and Osthaus Museum Hagen, Germany 2022. Group exhibitions include: Chinese Contemporary Public Art Exhibition, Kassel, Germany, 2012; 55th Venice Biennale, 2013; and Bienal de Curitiba, Brazil, 2017. Public collections include: AGWA; ARoS Aarhus, Denmark; Denver Art Museum; Melbourne Art Museum; Museum of Fine Arts, Houston; National Art Museum of China; National Gallery of Korea; and White Rabbit Gallery, Sydney. SxS Aarhus 2011, 2013. SxS Cottesloe five times since 2011. SxS Bondi six times since 2011.

Materials

bronze, stainless steel 316, paint

Dimensions

360 x 260 x 125 cm

$117,000

New South Wales

Unveiling the Edges of the Sky

‘Unveiling the Edges of the Sky’ embodies an awakening, an emergence from darkness into illumination. Drawing on ancient Indian mythology, the work pays homage to female deities, whose presence is defined by radiant, generative power. Unlike destructive forces, her energy reveals, awakens, and renews.

Harrie Fasher is a leading contemporary sculptor based in Portland, NSW, whose large-scale works in steel, bronze and concrete are recognised for their emotional force and technical ambition. An Honours graduate of the National Art School in 2010, she has since built a substantial regional practice. Since 2019, Fasher has been Principal Artist-in-Residence at The Foundations, Portland NSW developing an industrial studio and bronze foundry within the former Cement Works, creating capacity for monumental sculpture, artist training and mentorship. Fasher’s solo exhibition ‘Before Dawn’ at Orange Regional Gallery 2025/2026 marked a pivotal point in her career. Her work is held in significant public collections including the Art Gallery of New South Wales (AGNSW), National Museum of Australia, Orange Regional Gallery and Bathurst Regional Art Gallery. Awards include Helen Lempriere Scholarship at Sculpture by the Sea, Bondi 2017 and Rio Tinto Sculpture Award at Sculpture by the Sea, Cottesloe 2018. Fasher was a 2026 Wynne Prize finalist for figurative sculpture at AGNSW. She participated in Sculpture by the Sea, Cottesloe 2016, 2018, 2022 and Sculpture by the Sea, Bondi six times since 2014.

Materials

steel, bronze

Dimensions

600 x 700 x 600 cm approximately

Recipient of the Aqualand Acquisitive Award

New South Wales

Plumules Variations

Adding organic metal forms to ancient granite stones suggests the potential for new life to evolve. Human induced global warming may cause mass extinctions on Earth, but life will continue in the Universe beyond our existence.

Post Grad. Dip. (Sculpture) Canberra School of Art, Australian National University 1985, Dip. Art (Applied) Riverina College of Advanced Education, Charles Stuart University 1977-9. Over 30 solo exhibitions including MATDOT Bangkok 2023, Australian Galleries Sydney 2023, Belconnen Arts Centre 2019 and OK Harris Gallery, New York four times since 1997. McClelland Sculpture Prize 2003 and 2012. Finalist Helen Lempriere Sculpture Award 2005 and 2006. National Sculpture Prize NGA 2001, 2003, 2005. SxS Bondi 2019, 2024.

Materials

granite, stainless steel, copper, corrugated iron, lead

Dimensions

117 x 240 x 360 cm

$70,000 for the group of 3; or $25,000 each

New South Wales | Japan

Form of Scenery - lat 35.06’23”N, long. 135.55’30”E (1997)

There is no point on the grid where one can make certain their existence.

MFA Sculpture, Kyoto City University of Arts 1977. Japanese Government Overseas Study Program for an Artist, ANU 2008. Represented in collections in Australia, England, Japan, New Zealand. Recipient Helen Lempriere Scholarship SxS Bondi 2014. Group exhibitions including Tokyo Metropolitan Museum of Art 1983, RBS Gallery, London 2003, Sculpture Rocks, Sydney 2020. Solo exhibition Janet Clayton Gallery, Sydney 2014. SxS Aarhus 2015. SxS Cottesloe 11 times since 2006. SxS Bondi 20 times since 2001.

Materials

marble, stainless steel

Dimensions

120 x 530 x 410 cm

Price on Application

Contact Leonie: leonie.allen@sculpturebythesea.com

New South Wales | Japan

Circles

The mirrored surface reflects images of the surroundings, which creates ambiguity about objects. Granite and bronze sit on a mirrored surface of stainless steel. At this time, the viewers will be experiencing an extraordinary space.

MFA Sculpture, Kyoto City University of Arts 1977. Japanese Government Overseas Study Program for an Artist, ANU 2008. Represented in collections in Australia, England, Japan, New Zealand. Recipient Helen Lempriere Scholarship SxS Bondi 2014. Group exhibitions including Tokyo Metropolitan Museum of Art 1983, RBS Gallery, London 2003, Sculpture Rocks, Sydney 2020. Solo exhibition Janet Clayton Gallery, Sydney 2014. SxS Aarhus 2015. SxS Cottesloe 11 times since 2006. SxS Bondi 20 times since 2001.

Materials

stainless steel, granite, bronze

Dimensions

160 x 100 x 100 cm

$67,000

New South Wales

What is Happening to Me?

An ambiguous woven copper form embedded with river stones and suspended from inverted steel branches. A work addressing transformation, disorientation, and our upturned relationship with the natural world.

PhD UWS 2022. BFA (Hons) UNSW CoFA 1999. Solo exhibitions in Sydney, regional NSW and Melbourne. Group exhibitions include Cessnock Regional Gallery 2014, Penrith Regional Gallery 2014 and Royal Botanic Garden, Sydney 2023. Numerous public commissions in Japan, ACT, NSW and VIC. SxS Cottesloe five times since 2011. SxS Bondi five times since 2006.

Materials

stainless steel, copper, river stone

Dimensions

220 x 420 x 230 cm

$120,000

India

Garuda, the Silent Flight

My sculpture of a wounded eagle reimagines Garuda’s fading freedom, revealing how urban expansion and power lines endanger skyborne life, urging awareness of nature’s diminishing place in our accelerating world.

MFA (Painting) CoA Delhi 2017. BFA (Painting) CoA Delhi 2015. Delhi-based artist whose work examines biodiversity amid urbanisation. Awarded Lalit Kala Akademi, National Award in Painting 2023 and Inlaks India Foundation project grant for the Indian Ceramic Triennale 2024. Participated in the Indian Art Fair, New Dehli 2023 –2026 and Jawahar Kala Kendra, Jaipur 2026. Represented in the Reserve Bank of India collection 2017. SxS Cottesloe 2026.

Materials

bronze

Dimensions

325 x 173 x 64 cm

Price on Application

Contact Leonie: leonie.allen@sculpturebythesea.com

Italy

The Breath of Aeolus

Aeolus, the Greek god of the winds, is depicted as a child playfully blowing a soap bubble into the air. The upward thrust of the bubble is contained by three seemingly elasticated bands weighted down to the ground by stone blocks. They too seem to give in to the wind, lifting themselves a little from the ground.

Teacher of Sculpture, Academy of Fine Arts in Catania, Italy. Exhibitions include: International Stone Symposium, Hasandede, Turkey 2013; International Expo, Milan, Italy 2015; UBE Biennale, Yamaguchi, Japan 2019. Represented in public and private collections in Australia and Italy. SxS Bondi 2022, 2023. SxS Cottesloe 2023, 2024, 2026.

Materials

Carrara marble, bronze, stainless steel, paint

Dimensions

335 x 160 x 370 cm

$70,000

Western Australia

Twist of Faith, Lucky in Love

This sculpture symbolizes the relationship between two individuals, with a twist of faith they stay lucky in love. lt represents the bond in unity and although they appear to be separate, they are united.

Full time sculptor of 55 years. Studied sculpture and printmaking at Perth Technical College. Recipient Swan Citizen of the Year 1991 and Western Australian Citizen of the Year 1993. Notable collections include Town of Cottesloe, Australian War Memorial, Minderoo, Snowy Valleys Sculpture Trail at Adelong NSW. Sculpture symposiums and exhibitions in China, Dubai, France, Japan, New Caledonia, South Korea. SxS Cottesloe 21 times since 2005. SxS Bondi 23 times since 1999.

Materials

copper, stainless steel

Dimensions

300 x 90 x 90 cm

$77,000

New South Wales

The Eternal Fortune Koi: Peace, Love and Prosperity to the World

During profound global unrest, the globally recognised Koi symbol is an invitation for collective meditation and reflection on the human toll of war, displacement, and poverty manifesting love and prosperity for recent and future generations.

Collaborators Christopher Pekowski and Carlos Diaz work across sculpture, mosaic and large-scale public art. Their practice draws on European and Colombian heritage, with an interest in marine forms and environmental awareness. Represented in Australian and international private and public collections including Bayside Council, Central Coast Council, Nan Tien Temple, Wollongong and Rockdale City Council.

Materials

glass, marble, aluminium, stainless steel

Dimensions

170 x 170 x 90 cm

$35,000

Western Australia | Iraq

The Journey of Life

Life balances between stability and uncertainty. A figure, a tree, and two chairs – one grounded, one suspended reflect this tension. At its core, the work honours woman as the origin of life, love, and the quiet force that sustains family and society.

BA Curtin 2011. Represented in private and public collections internationally including Asago Art Museum, Iraq Museum for Modern Art, Jordan National Gallery of Fine Arts, Town of Cottesloe and Qingdao International Lan Bay Art Park. Solo exhibitions include Stala Contemporary WA 2023, Kaede Gallery, Osaka, Japan 2014. SxS Cottesloe 14 times since 2010. SxS Bondi five times since 2011.

Materials

bronze

Dimensions

360 x 120 x 80 cm

$88,000

Japan

People in Paper Country

Information from all over the world is obtained wherever you are. Too much information is flooding around you. Do you trust that?

Born in Niigata, Japan. International sculpture symposiums include Schoodic Symposium in the USA. Awards include Japanese Minister of Education Science and Technology Award 2026, Grand Prize Sakura no Mori Sculpture Competition 2000 and Grand Prize 8th Kobe Figurative Sculpture Exhibition 1996. Artist in Residence at Aomori Contemporary Art Centre 2006, 2007, 2010 and Gomboc Gallery Sculpture Park 2009. Represented in private collections in Australia and New Zealand including Snowy Valleys Sculpture Trail at Batlow NSW. Sculpture Rocks, Sydney 2021. SxS Cottesloe eight times since 2007. SxS Bondi 11 times since 2004.

Materials

granite, stainless steel

Dimensions

230 x 160 x 90 cm

$65,000

Denmark

Belonging

Belonging is a sculptural installation of ceramic leaves rising from the ground. Mounted on slender rods, they move subtly with air. The work reflects identity shaped by multicultural roots, balancing fragility and stability, and a shared, fluid sense.

Danish/Australian sculptor, ceramicist and textile designer lives and works in Denmark. BA Hons (Ceramics) University of Westminster 2022. Large major works include ‘Momentum’ at Venice Biennale 2024. Ceramic installations for: Hannah Peschar Sculpture Garden, UK 2026; Cocobolo Art & Design, New York 2015; and Rosendahl A/S, Denmark 2003. Friendship Society of Denmark, Australia and New Zealand Danish Award SxS Bondi 2022. SxS Bondi 2023.

Materials

black stoneware

Dimensions

180 x 100 x 200 cm

$36,000

United States Of America

Tusk (2020)

Geometric and hand modelling was used to create this unique work.

Recipient NordArt Award 2011, Balnaves Foundation Sculpture Award SxS Bondi 2012, Macquarie Group Sculpture Award SxS Bondi 2014. Exhibited across Australia, China, Europe, USA. Represented in public collections including: Sculpture Fields, Tennessee USA; Storm King Art Centre, NY USA; City of Frankfurt, Germany; Town of Cottesloe Sculpture Collection WA; Thompson Estate Sculpture Collection, Margaret River WA; Royal Botanic Gardens Sydney; Sydney Harbour Trust; and Snowy Valleys Sculpture Trail in Adelong NSW. SxS Cottesloe ten times since 2012. SxS Bondi ten times since 2011.

Materials

bronze

Dimensions

220 x 48 x 43 cm

$60,000

Western Australia

Heaven is a Place Where Nothing Ever Happens

This piece aims to bring worship and spirituality into the collective space for all. Nondenominational Heaven celebrates us here in the moment, in the elements and poses the question, is Heaven on Earth?

Studied medieval glass techniques in Chartres, France and advanced painting with Australian master glasspainter Gerry Cummins. Recognised by the Worshipful Company of Glaziers and Painters of Glass in the UK. With over 30 years experience the artist has completed numerous commissions across WA, represented in WA Museum Boola Bardip permanent collection, Perth Children’s Hospital, Claremont Council Building, Geraldton Cathedral and Rottnest Catholic Church. SxS Cottesloe 2013, 2026.

Materials

hand-blown glass, vitreous glass paint, lead, aluminium

Dimensions

420 x 110 x 20 cm

Price on Application

Contact Leonie: leonie.allen@sculpturebythesea.com

New South Wales

Kaaku-Kaakulinya: Eternal Sentinels

‘Kaaku-Kaakulinya: Eternal Sentinels’ explores protection, resilience and continual presence through two shield forms. Cast iron and steel reflect resilience of an enduring Aboriginal culture, standing as sentinels grounded in Country.

Barkindji and Malyangapa artist from Broken Hill whose practice is grounded in intergenerational knowledge and explores relationships between Country, identity and cultural continuity. Selected exhibitions: Galerie Handwerk, Munich 2025; Australian Design Centre 2024; Broken Hill City Art Gallery 2023, 2024; Ngaratya, Bunjil Place, Victoria 2023; Biennale of Sydney 2022; Broken Hill Regional Art Gallery 2022; University of Melbourne 2021. Recent awards: Maari Ma Aboriginal Art Awards and Blacktown City Art Prize. Commission for Cambridge Museum of Anthropology and Archaeology, England 2025.

Materials

cast iron, steel

Dimensions

220–230 x 75–80 x 20 cm

$45,000 for the set of 2; or $25,000 each

Japan

Awakening of Physical Recognition XVI: The Reincarnation of the Butterfly Dream, the Wingtip of the Spitfire

The sculpture depicts the dream of a butterfly being reborn on the wingtip of a Spitfire, as told in a story by Chinese philosopher Zhuangzi.

MFA Kyoto Municipal University of Fine Art. Major group exhibitions internationally in Australia, Germany, South Korea, Türkiye and Japan including the UBE International Sculpture Biennale 2013, Tokiwa Museum 2013 and Sculpture Rocks, Sydney 2021. Recipient Special Selection Award, Busan Biennale Sea Art Festival 2011. Represented in public collections including MONA Tasmania, Belconnen Arts Centre, Christchurch City Council and Snowy Valleys Sculpture Trail at Tumut NSW. SxS Cottesloe eight times since 2011. SxS Bondi ten times since 2007.

Materials

cherry granite Mannari

Dimensions

20 x 230 x 60 cm

$50,000

New South Wales

Manta Ray (2021)

Masters of freedom and movement, Manta Rays have inspired us to search the depths of our being. Seeking for a purpose in a vast ocean has brought us closer to ourselves, like a drop that dissolves into the ocean.

Sydney based, self taught sculptor with over 30 years’ experience creating commissioned sculptural works from timber. His recent practice explores the natural world, particularly Australian marine and bird life, using discarded natural timbers sourced throughout Australia.

Materials

timber, steel

Dimensions

220 x 140 x 115 cm

$18,000

India

Ananta

Exploring the tension between tradition and modernity, reflecting on impermanence and interconnectedness. The artwork’s fluid, loop-like form evokes cycles of existence and the movement of life.

MFA (Printmaking) Maharaja Sayajirao University, Baroda 1998. BFA (Painting) Rajasthan School of Art, Jaipur 1996. Sharma has exhibited internationally and participated in international trienniale, biennales, residencies, and art fairs for over 25 years. His work is held in private and public collections worldwide including: Lalit Kala Akademi, New Delhi; MAP Bengaluru; NGA, Canberra; NGMA, New Delhi; RMIT University Art Museum, Melbourne; Swiss Re Art Collection, Zurich, Switzerland; and Tama Art University Museum, Tokyo.

Materials

polyester resin, fiberglass, wood, found objects, repurposed computer keys, paint

Dimensions

92 x 183 x 275 cm

Price on Application

Contact Leonie: leonie.allen@sculpturebythesea.com

Tasmania

Awkward Love

‘Awkward Love’ depicts memories of my teenage years dancing, dressing up, glamour, King or Queen for the night. It also represents fear, rejection, impression, anxiety. The work also runs parallel with contemporary society where the boundaries in visual appearance and gender roles have altered.

PhD Philosophy (Fine Arts) UTAS 2001. Group and solo exhibitions in New Zealand, USA and Australia including Burnie City Council 1998, CAST Hobart 2000. Recipient of the Dick Bett Memorial Tasmanian Sculptor Award at SxS Bondi 2019. Represented in major collections including Burnie City Council, MONA, Tasmanian Museum and Art Gallery, Unitec, Auckland. SxS Tasman Peninsula 1998. SxS Bondi four times since 2019.

Materials

Huon pine, steel, powder coating colour

Dimensions

200 x 45 x 45 cm

$22,700

New South Wales

Seed

‘Seed’ combines hybrid human and plant forms, drawing on epicormic growth after the Black Summer fires. Informed by climate psychology, it reimagines the body as a regenerative seed, embodying resilience and renewal.

Elyssa Sykes-Smith graduated with a BFA (Hons) in Sculpture from the National Art School, Sydney 2013 and an MFA (Distinction) from the Architectural Association School of Architecture, London 2021. Her multidisciplinary practice spans sculpture, public art, installation, performance and socially engaged projects, exploring the relationship between the human figure, architecture and public space. Represented in collections including Saatchi & Saatchi, Sydney. Exhibition highlights include: Shop Art Project for Snowy Valleys Sculpture Trail in Batlow, NSW 2022; the Venice Architecture Biennale 2023; a solo exhibition at the Architectural Association, London 2021; and Shoalhaven Regional Gallery 2019. Awards include Create NSW Creative Development Fellowship 2018, First Prize at Hillview Sculpture Biennial 2018. Exhibited Sculpture by the Sea, Cottesloe four times since 2015 and Sculpture by the Sea, Bondi eight times since 2012.

Materials

reclaimed wood, paint, fixings

Dimensions

200 x 100 x 100 cm

$25,000

New South Wales

Time Capsule (Soil Test VI)

This log was 125 years old when it came down in a storm 10 years ago, its growth rings have recorded that time. The figure is using a microbe analyser to look back 2.7 billion years at first life on Earth.

Adv Dip VA SCA 1979. Major awards: Macquarie Group Sculpture Award SXS Bondi 2013, Helen Lempriere Scholarship 2020, Palmer Sculpture Biennial 2022. Public collections: Canal to Creek Public Art, Westconnex, Sydney; Sydney Harbour Trust; Newcastle Regional Art Gallery; New England Regional Art Museum; Parliament House, Canberra; Snowy Valleys Sculpture Trail at Tumbarumba, Johansen Wines and Sculpture Forest at Laurel Hill NSW. Awarded OAM Australia Day Honours 2026 for Service to the Visual Arts as a Sculptor. SxS Cottesloe five times since 2006. SxS Bondi 24 times since 1997.

Materials

stringybark (Australian hardwood)

Dimensions

300 x 80 x 90 cm

$32,000

Greece | Germany

Xabana (33°53’33”S 151°16’26”E)

Xabana is a continuation of an ongoing work series of temporary, siteresponsive timber installations, and proposes a sculptural intervention that acts both as a colourful marker and as a negotiated spatial environment.

Diploma Architecture (Technical Engineering and Design), Technical University Dresden, Germany 1999. Large scale public art installations in USA and Europe including Art Park, West Hollywood, USA 2026. Numerous exhibitions including Chance Ecology at Queens Museum NY 2016 and Kensington Chelsea Art Trail at Design Museum London, 2024. Recipient Kaplan Director’s Award, Cape Cod Museum of Art, MA, USA 2017.

Materials

wood, acrylic

Dimensions

300 x 500 x 180 cm

$9,500

New South Wales

The World’s Greatest Grain of Sand

As many stars as sand, or so they say. The greatest grain of sand in the world, on display. Five cents. Fifteen seconds inside. See for yourself. Then you decide.

B Design UNSW 2018. Founder and Creative Director at HandToMouse, a Bondi-based design practice specialising in branding, identity and visual communication. Procrastinatedon is the art practice of commercial designer Nate Don, whose work begins with observation and often ends in absurd overreaction. He installed ‘White Line Therapy’ at SxS Bondi 2024. Recipient Clitheroe Foundation Emerging Sculptor Mentor Program 2026.

Materials

shipping container, gilded timber frame, glass display, lens, velvet, lighting, brass stanchions, brass signage, single grain of sand

Dimensions

260 x 240 x 610 cm

Price on Application

Contact Leonie: leonie.allen@sculpturebythesea.com

Western Australia

Sanctum for the Small

Three columns are carved from marine plywood with holes inserted for native bee habitats. The work invites reflection on time and preservation and honours our unique endemic species, highlighting the urgency of preserving Australia’s unique biodiversity.

Studied Florence Classical Arts Academy, Italy 2019. M (Architecture) UWA 2012. B Architecture (Environmental Design) UWA 2009. Clark has extensive experience working with resin, concrete, CNC technology, and oil painting, integrating these materials into her artistic practice. Participated in group exhibitions since 2014 in WA, Italy, Hong Kong and Shanghai. Public artwork commissions include City of Stirling 2024, Lee Garden, Hong Kong 2018. SxS Cottesloe 2026.

Materials

marine plywood, steel

Dimensions

149 - 240 x 40 x 40 cm

$26,000 for the set of 3; or $7,500–$11,500 each

Slovakia

Stella

Working primarily with Slovak wood, Ryboň is drawn to fragments shaped by time and nature, revealing the organic markings within the material. His sculptures explore the relationship between natural processes, organic form and the enduring physical presence of wood.

Graduated Academy of Fine Arts and Design, Bratislava 2006. Trained as an artistic blacksmith in Kysucké Nové Mesto, Slovakia. Solo and group exhibitions in Slovakia and internationally including Belarus, Czech Republic, Italy, and Poland. Participated international sculpture symposia in China, Poland and Slovakia. Creative residencies include the Cité Internationale des Arts, Paris 2010, 2011. Exhibited Slovak National Museum, Bratislava 2022, Tatranská Gallery, Poprad 2011 and Slovak Institute, Warsaw 2016.

Materials

wood, paint

Dimensions

180 x 32 x 7 cm

$8,200

Western Australia

Sleeper Self-Portrait #25

This work is part of an ongoing series of self-portraits using old railway sleepers. The sleepers are cut and then reassembled using joinery techniques with the surface burnt and sealed.

BFA Curtin University, 1988. Participated in group exhibitions in Australia and internationally. Represented in public and private collections including: Wallcliffe House, Margaret River; City of Mandurah Council Chambers; Parliament House, Western Australia; ANZAC Park, Mount Hawthorn and Snowy Valleys Sculpture Trail at Tumbarumba NSW. Awarded Helen Lempriere Scholarship 2024, York Botanic Art Prize 2023, UWS Sculpture Award 2021. SxS Aarhus, 2013. SxS Cottesloe 14 times since 2005. SxS Bondi ten times since 2005.

Materials

railway sleepers, galvanised and mild steel

Dimensions

330 x 120 x 120 cm

$55,000

Tasmania

Huon Tides

Water flows underfoot in ‘Huon Tides’, with Tasmanian Huon Pine and steel. The natural edge forms the sculpture shape, threading itself into the steel, as the birds eye figure and tidal grain spring a golden rhythm, celebrating the life of the tree.

With over 40 years’ experience specialising in wood art, the artist developed his creative identity since his early 20s, when he bought his first lathe. Growing up surrounded by Tasmania’s natural beauty, his passion to uncover and conserve the deep, tranquil age buried within specialty timbers was born. His work has been represented in multiple galleries across Australia including: Bungendore Wood Works Gallery; IXL Tasmanian Art Gallery, Hobart; and Design Tasmania, Launceston.

Materials

Tasmanian Huon pine, mild steel

Dimensions

150 x 120 x 75 cm

$17,000

New South Wales

A Great White Pointer View

Humans! Go back to where you came from!

Sydney based artist, works primarily with found objects. He seeks to create work that is aesthetically engaging, long enough, for viewer to discover whimsy, satire or cynicism, that often pervades his work. Awards include People’s Choice Award SxS Bondi 1999 and Site Specific Prize SxS Bondi 2002. SxS Cottesloe 2007. SxS Bondi 13 times since 1997.

Materials

driftwood, glass, bone, plastic, timber

Dimensions

165 x 275 x 25 cm

$20,000

Tasmania

Monument to Drv. Kenneth Sheridan

A monument to Kenneth Sheridan, 1st. Division, A.I.F, No. 5130. My grandfather served in WW1 in France as horse driver. In this role he would pull artillery and wagon supplies to the front line.

PhD University of Melbourne 2013. MA (Sculpture) RMIT University 1996. Graduate Diploma in Fine Art (Sculpture) VCA 1986. Group exhibitions across Australia include Sculpture 85, World Trade Centre VIC 1985, Australian Centre for Contemporary Art 1988, Mildura Sculpture Triennial 1988 and McClelland Gallery 1995. Solo exhibitions include RMIT Storey Hall 1997, Geelong Art Gallery 2012 and Queen Victoria Museum and Art Gallery TAS 2013. Represented in collections including Artbank, Bundanon Trust and Federation University.

Materials

recycled wood, paint, steel, concrete

Dimensions

80 x 60 x 58 cm

$3,500

Colombia | New South Wales

DREAM_N

Machines can’t do the dream work.

MA (Art in Public Space) RMIT 2009. Diploma of Graphic Design, Sydney Institute of Technology 2000. BA Communications, UTS 1996. Sydney-born visual artist, public art practitioner and creative producer working between Australia and Colombia. Founder of Anagram Public Art Consultancy. Co-Founder of La Casa Verde in Colombia. Creative Director of Cut X Paste. Exhibited internationally including Bienal de Cuenca, Ecuador 2026. Notable public art commissions in Australia, Columbia, Denmark, Germany, New Zealand, Singapore and USA. Recipient of the Melbourne Prize for Urban Sculpture and numerous arts grants. SxS Aarhus 2009. SxS Cottesloe 2009. SxS Bondi 2008, 2012.

Materials

pine, plywood, acrylic paint

Dimensions

90 x 420 x 45 cm

$16,000

New South Wales

One Morning on the Beach (2024)

I sat on the beach one morning and drew the sensory experience on paper. This sculpture is how that drawing translated into form.

MFA (Research) Sculpture COFA. Sculptor for over 30 years. Australian representative Toyamura International Sculpture Biennale Japan, 2005. Represented in private collections in Japan and Australia. SxS Cottesloe 2021. SxS Bondi 14 times since 1999.

Materials

laminated marine plywood

Dimensions

180 x 300 x 75 cm

$45,000

Western Australia

Broad Band Portal

A hybrid structure, a gateway between the past and into the future. Are you willing to pass through? Which way will you go? Left? Right? Or do you prefer to dwell in the middle? Inspired by bamboo scaffolding in Hong Kong, mounted on steel legs, joined together with bicycle tube rubber strips. East meets West, North meets South, a true global structure with a touch of ‘Dutchness’!

de Munk-Kerkmeer received a degree in Art and Communication from Edith Cowan University 2009, and an Adv. Dip. Fine Art from Central TAFE 2004. The artist completed the prestigious residency at Amsterdam University of the Arts, Netherlands and was a Helen Lempriere Scholarship recipient in 2012. SxS Cottesloe 13 times since 2011. SxS Bondi five times since 2012.

Materials

bamboo, galvanised steel, recycled bicycle tube rubber, acrylic paint

Dimensions

370 x 150 x 150 cm

$14,000

New South Wales | Switzerland

Surface Breach

Surface Breach explores the fragility concealed beneath apparent strength. As the monumental hand forces its way upward, its rupture marks the instant when stability gives way to tension, transformation and release, revealing that even the most flawless systems are never entirely secure.

Sculptor and photographer, trained and practising as an architect, with senior design roles in Australia, Asia, and the Middle East since 2008. Solo and group exhibitions include Bondi Pavilion Gallery 2012 and Head On, Sydney 2012 and 2017. Braun’s practice explores AI-assisted and generative design processes alongside 3D printing and digital fabrication, questioning authorship and autonomy as machine learning replicates and standardises human expression.

Materials

plant-based polymer, concrete, fibreglass

Dimensions

130 x 180 x 180 cm

$11,800

Czech Republic

Whisper

The sculpture takes the form of an ear that gradually transforms from a rational, precise anatomical shape into a flowing, abstract form. The title ‘Whisper’ carries several layers of meaning. ‘Whisper’ is also the name of an AI tool that translates spoken sound into written text. At the same time, a whisper is something intimate, fragile, and often private. In the sculpture, the whisper itself becomes translated into an abstract visual form.

Studied Sculpture at the Academy of Fine Arts, Prague 1998. Multi disciplinary artist who works in the fields of sculpture, painting, illustration and theatre design. Participated in numerous group exhibitions in Europe since 1991 including Cité International des Arts, Paris 1999, 2000 and Škroupovka Gallery, Hradec Králové, Czech Republic 2025. SxS Cottesloe 2020. SxS Bondi 2019.

Materials

3D printed

Dimensions

28 x 28 x 28 cm

$5,000

Denmark

Go with the Flow

‘Go with the Flow’ is made of transparent acrylic glass organically shaped. Shadows from the two parts cast dancing shadows on the ground. Thanks to the light they will shift and change, always a surprise. Let’s thank the light and go with the flow. A poetic moment.

Independent visual artist working with sculpture and installation in Denmark and Switzerland. Her current artistic practice focuses on creating sculptures for public space. Member of International Association of Art Europe, BKF Danish Visual Artists. SxS Cottesloe 2021.

Materials

blue acrylic glass

Dimensions

140 x 120 x 80 cm and 200 x 100 x 80 cm

$18,000

New South Wales | China

After the Tide

‘After the Tide’ explores yin and yang in the AI age, where handmade art risks fading. A skull of 100 repaired lanterns rests by the tide. Though it suggests death, it channels renewal and illumination in returning fortune.

BFA CAFA Beijing 1987. MFA SCA, USYD 2010. PhD SCA, USYD 2014. Public art commissions: Darling Harbour; National Library of Australia; OzAsia Festival Adelaide; Vivid; and Port Kembla. Selected exhibitions: Adelaide Festival Centre; AGNSW; Chau Chak Wing Museum; and Powerhouse Museum. Represented in public collections including: Adelaide Festival Centre; Disney; Powerhouse Museum; and USYD. Finalist: Archibald Prize; Blake Prize; and Dobell Drawing Prize.

Materials

steel, acrylic yarn

Dimensions

50 x 450 x 530 cm

$55,000

New South Wales | Poland

Desire

We love to observe birds when they open their wings and fly high into the sky. Something positive rises in us at that moment. ‘Desire’ speaks about our wish to fly. Go further than we can. Rise and fly.

Licha studied painting, graphics, and sculpture at the Academy of Fine Arts in Wrocław, Poland 1979-81 before moving to Australia in 1982 and completing a DIP FA City Art Institute, Sydney 1989. A practicing artist for 40 years, Licha works with various mediums including painting, works on paper and sculpture. Since 1992 has participated in group and solo exhibitions in Australia, Hong Kong, Italy, Poland, Qatar. Recipient Waverley Council Mayor’s Award SxS Bondi 2015. SxS Cottesloe four times since 2016. SxS Bondi nine times since 2009.

Materials

galvanised wire, metal mesh, paint, steel

Dimensions

229 x 91 x 60 cm

$10,000

New South Wales

The Fall

Based on a figure drawing, quickly sketched and cut from a steel sheet, seeking to capture the immediacy of pencil on paper.

Diploma Fine Art National Art School 1992. Represented in public and private collections including Artbank, Art OMI New York, Gold Coast City Art Gallery, Maitland Regional Art Gallery, University of Technology, Sydney and Snowy Valleys Sculpture Trail at Brigham House, Tooma NSW. Numerous solo and group exhibitions since 1992 including Watters Gallery, Legge Gallery, and Maunsell Wickes Gallery. Recipient of multiple accolades including the Balnaves Acquisition Award, and Art OMI International Artists Residency, New York. SxS Bondi 12 times since 1997.

Materials

steel, oil, paint

Dimensions

195 x 95 x 55 cm

$9,500

Slovakia

H.T.S. (2024)

Parallel reality.

MFA Academy of Fine Arts and Design, Bratislava 2006. Extensive participation in international sculpture symposiums and exhibitions. Represented in public collections including: Danubiana Meulensteen Art Museum, Slovakia; ZOYA Museum, Modra, Slovakia; White & Weiss Contemporary Art Gallery, Slovakia; Big Art & Garden, Beelden in Gees, Netherlands; and Snowy Valleys Sculpture Trail at Adelong NSW. Recipient of: NordArt Prize 2023, Germany; the Andrea Stretton Memorial Invitation SxS Cottesloe 2018; and Waverley Council Mayor’s Award SxS Bondi 2017. SxS Cottesloe five times since 2016. SxS Bondi seven times since 2015.

Materials

PVC, zinc coated mild steel

Dimensions

222 x 200 x 200 cm

$35,000

New South Wales

Geological Thinking: Becoming and Unbecoming

This work reflects the cyclical transformations of matter and life within the Earth’s lithosphere, situating humans in geological time. Exploring our becoming and unbecoming, our ‘becoming otherwise,’ our ‘becoming extinct,’ our ‘becoming mineral’.

MFA (Sculpture) NAS 2022. Master of Design (Visual Communication) UNSW 2002. Sydney-based artist whose practice spans ceramics, sculpture and various media and materials. Exhibited extensively since 1979 in Australia and New Zealand, with solo exhibitions at Airspace Projects and the NAS. Group exhibitions include Auckland Museum, Wellington City Art Gallery. Her practice has been documented in publications including New Zealand Potter, Art New Zealand and New Zealand Crafts.

Materials

clay, steel, silicone, PVC

Dimensions

230 x 10 x 10 cm each

$49,000 for the set of 10; or $5,750 each

New South Wales | China

Horse in Polarised Light

Through polarised light, a hidden horse appears within a lattice inspired by traditional Chinese window patterns.

BA (Public Art) Guangzhou Academy of Fine Arts, China 2024. Emerging artist working across installation, public art and interdisciplinary media. Participated in group exhibitions in Guangzhou including Roof Art Center 2024, and Acute Angle Gallery, 2024. Resident artist at Roof Art Center, 2024. Recipient of: Award of Excellence, Design for Asia Award 2021; Guangzhou Academy of Fine Arts Excellent Coursework Exhibition 2022; Hong Kong Contemporary Art Culture Research Merit Award 2023 and Clitheroe Foundation Emerging Sculptor Mentorship 2026.

Materials

polariser, metal

Dimensions

230 x 232 x 8 cm, 154 x 247 x 8 cm, 177 x 177 x 8 cm

$110,000 for the set of 3

Victoria

Halcyon

The form stands as both guardian and warning, anchoring human resilience and creative life to the enduring balance of our oceans.

Payes exhibits nationally and internationally. Recent solo exhibitions in Australia include Scott Livesey Galleries Melbourne 2017, 2023. International group exhibitions and art fairs in 2026 include: LA Art; Context Art Miami; Intersect Aspen; Tokyo Gendai; and Personal Structures, European Cultural Centre, Venice Biennale 2024 – 2026. Notable exhibition Parallel Futures, McClelland Sculpture Park 2016. Private collections in Australia, Belgium, China and Switzerland. Public collections include: City of Melville; Museum & Art Gallery of the Northern Territory; NGA; and NGV. SxS Cottesloe four times since 2016. SxS Bondi 2017, 2022.

Materials

fibreglass, stainless steel, marine netting

Dimensions

846 x 350 x 350 cm

Price on Application

Contact Leonie: leonie.allen@sculpturebythesea.com

Queensland

Pinnacle

Pinnacle is a monumental, inhabitable stainless steel sculpture that explores themes of progress and ambition. Its sharp triangular form, inspired by Brutalist architecture, employs threepoint perspective to create the illusion of infinite height.

Blake is a multidisciplinary installation artist whose large scale works employ elements of architecture and sculpture. He is inspired by brutalist architecture and utilitarian modernist design. Group exhibitions since 2015 include Australia, China, Italy and New Zealand, and Burning Man, Nevada, USA numerous times since 2018. Solo exhibition at Judith Wright Centre for Contemporary Art 2021. Finalist at Arte Laguna, Venice 2021 and Blake Art Prize, Sydney 2021. SxS Bondi four times since 2013.

Materials

stainless steel, acrylic, lighting

Dimensions

1200 x 210 x 210 cm

Price on Application

Contact Leonie: leonie.allen@sculpturebythesea.com

Japan

Quiet Dance

Utilising internal magnets, this multipart integrated work sways in response to nature. A tribute to beloved Australian flowers, inviting the viewer to participate in its ongoing ‘Quiet Dance’.

Uchida is a renowned sculptor in the field of kinetic art. Represented in leading collections including: National Museum of Modern Art, Kyoto; Tokyo Metropolitan Art Museum; National Museum of Contemporary Art Korea; artsACT; Canberra International Airport; Holmes à Court Collection; Thompson Estate Collection Margaret River; and Snowy Valleys Sculpture Trail at Courabyra Wines NSW. Guest Curator Setouchi Triennale and Echigo Tsumari Triennale. Sculpture Rocks, Sydney 2021. SxS Aarhus 2009. SxS Cottesloe ten times since 2008. SxS Bondi 11 times since 2006.

Materials

stainless steel, paint, magnet

Dimensions

214 x 93 x 70 cm

$38,000

Queensland

Weather Engines

We each breathe in around 68,000 microplastic particles a day, and airborne plastic can even change how clouds form, with likely effects on our weather. This work is one experiment in turning upcycled plastic into something living and beautiful, powered by the wind and the weather itself.

PhD, QLD College of Art, Griffith University 2024. A multidisciplinary artist whose practice moves between public art, research, and community engagement. Collaboration is central to her practice, and she has worked alongside communities, museums, and institutions to create spaces where art and sustainability intersect. Commissions include Brisbane City Council 2018, Museum of Chinese Australian History, Melbourne 2012 and National Library of Australia 2016.

Materials

recycled plastics, lights, solar panels, steel

Dimensions

200 x 80 x 20 cm each

$16,200 for the set of 9; or $2,000 each

New South Wales

Freed

The chain is broken. The rope is snapped. Freed from the ties that bind - from domestic violence, poverty, persecution, anxiety. This is a sculpture of hope. I am a doctor who sculpts. I use recycled scrap steel, rarely knowing what the outcome will be. It’s the steel - the size, shape, patina, and weight that directs the inclination to work with those pieces to create a sculpture where the whole is perceived as greater than the sum of its parts. Only when the construction is completed does the sculpture itself suggest a name.

Bachelors of Medicine and Surgery, Sydney University 1963. Attended National Art School short courses and workshops in steel sculpture 2010 – 2026. Participated in many group exhibitions across NSW since 2010.

Materials

reclaimed mild steel, paint

Dimensions

210 x 90 x 70 cm

$9,500

Australian Capital Territory

Wonder

This work attempts, structurally, to depict something of the workings of a mind at peace, in simple wonder.

BA (Philosophy and Linguistics) ANU 2003. Residencies at Can Serrat Art Centre in Spain, and Megalo Print Studio and Gallery, Canberra. Solo exhibitions in Sydney at King Street Gallery, Legge Gallery and Watters Gallery. In 2023 exhibited at Drill Hall Gallery, Canberra alongside painter Nongirrnga Marawili. Group exhibitions since 2000 including Belconnen Arts Centre, Canberra Contemporary Art Space and Maitland Regional Gallery. Represented in private collections in Australia. SxS Bondi five times since 2005.

Materials

steel, paint

Dimensions

250 x 120 x 12 cm

$14,000

Western Australia

A Collage of Fragments

A visual representation of fragments of patterns found in the landscape, this artwork employs the process of layering and overlapping to create new shapes generated by the negative spaces within the composition.

Anne Neil graduated with a Bachelor of Arts in Art and Design with Distinction from Curtin University of Technology in 1985, followed by a Post Graduate Diploma in Sculpture from the Australian National University in Canberra 1992. Neil has exhibited nationally and internationally, with solo exhibitions in Australia, Switzerland and South Korea, and is represented in collections in Australia, Hong Kong, Malaysia, South Korea and Switzerland. Her extensive public art practice includes major commissions for Perth Railway Station, Elizabeth Quay, Kings Park, Fiona Stanley Hospital and the Perth Gateway Project, as well as an invitation to create work for the Chengdu International Sculpture Park, China in 2018. Neil’s practice encompasses sculpture, jewellery and integrated public art, often exploring connections between place, nature and the built environment. She has undertaken artist residencies in Switzerland, Malaysia and South Korea and received the Artsource WA Lifetime Achievement Award in 2012. Neil has exhibited in Sculpture by the Sea, Cottesloe seven times since 2006. Her work ‘She Sells Sea Shells’ was acquired by Town of Cottesloe following its presentation at Sculpture by the Sea, Cottesloe in 2019.

Materials

marine grade aluminium, paint

Dimensions

315 x 110 x 110 cm

$48,500

New South Wales

Midnight Blues

‘Midnight Blues’ conveys the metaphor of an opening book.

Studied Sculpture NAS 1965. MFA COFA 1993. Over 40 solo exhibitions in Australia since 1972. Recipient Balnaves Foundation Award SxS Bondi 2011 and Helen Lempriere Scholarship SxS Bondi 2012. Represented in public collections including: AGNSW; Kumstrup Engineering, Denmark; Macquarie Bank Collection; National Bank Collection; New England Regional Art Museum, NSW; Orange Regional Gallery, NSW; and Royal Botanic Gardens, Sydney. SxS Aarhus 2013. SxS Cottesloe 2011, 2025. SxS Bondi 15 times since 1999.

Materials

steel, paint

Dimensions

200 x 75 x 35 cm

$55,000

Western Australia

Suddenly Everything’s Changed

The exacting, sculptural beauty of shell skeletons that are so engaging, emerges from a confluence of geometry, mechanics, ecology, evolution, and sheer luck! Each skeleton shape presents a detailed record of the everyday events and unusual circumstances that mark an individual’s life. It’s a reminder of natures complexity and splendour.

BA (3D Design) Curtin 1992. Received Alcoa Aluminium Sculpture Award SxS Cottesloe 2026. Awarded numerous public art commissions and is represented in collections including Curtin University of Technology, Jill Van Der Hoof Galleries, Santa Barbara, California, USA, Kerry Stokes Collection and Mayor Hanke Collection, Ariesheim, Switzerland. Undertaken art residencies in Malaysia, South Korea and Switzerland. SxS Cottesloe four times since 2006.

Materials

marine grade aluminium, paint

Dimensions

88 x 340 x 88 cm

$38,500

Denmark

Emergent

This artwork reflects the moment when something new begins to take shape. Different angles bring forward new expressions, mirroring the uncertainty and transformation that come with growth.

Participated in numerous international exhibitions across Europe, Asia, Australia and the USA including: the Kunsten Arts Centre, Høje, Denmark 2016-2020; the Silk Road International Art Exhibition, Xi’an, China 2018-2019; Minqin Desert International Sculpture, China 2019. Recent projects include Kunstpfad Kirrweiler, Germany 2026, Beijing Biennale, China 2025, and Vign’Art, France 2025. Curator and Director of Art Jam Sculpture Symposium since 2017. Founder and Producing Director of Art Jam Road, Denmark. SxS Bondi 2025.

Materials

stainless steel, epoxy clay, paint

Dimensions

210 x 83 x 70 cm

$19,000

Victoria

Ex-Halo

Set against the ocean and coastal landscape of Bondi, the work invites viewers to experience the site differently, not simply as a backdrop, but as an active participant in the artwork. The mist moves, disperses and reforms in response to its surroundings, making each encounter unique.

James Tapscott graduated from Curtin University, Western Australia, in 1999 and is a Melbourne-based artist and designer. His site-responsive practice explores the relationship between perception, landscape and the natural world, using elemental materials including water, mist and light to create immersive, sensory experiences. His work has been presented internationally across Asia, Europe, the UK and USA including: the Japan Alps Art Festival 2017; Dark MOFO, Hobart 2018; 10th Changwon Sculpture Biennale, Korea 2020; ‘Rising’, Melbourne 2021; Taiwan Lantern Festival 2022; and iLight Marina Bay, Singapore 2024. Most recent exhibitions in 2025 include: ‘GLEAM’, Olbrich Botanical Gardens, Madison USA; and ‘Seedscapes’, Royal Botanic Gardens Kew, Wakehurst UK. Major public commissions include: ‘Arc ZERO: Eclipse’, Kaohsiung, Taiwan 2022 and Seoul 2025; ‘Pineal Arc’, Melbourne 2024; and ‘Yún Qì’ (‘Cloud Breath’), Nanhai, China 2026. Tapscott received the CODA Award for Landscape Art 2022 and LIT Awards Design of the Year 2025. The artist is a first time exhibitor at Sculpture by the Sea.

Materials

stainless steel, water mist, plastic, lighting

Dimensions

320 x 320 x 10 cm

$120,000

Denmark

One Moon

Incorporating over 5,000 donated and discarded pieces of glass and crystal, ‘One Moon’ projects a dream of purity, forgiveness and responsibility for humanity.

MA (Education), UC 2010. MA (Fine Arts), Middlesex University London 2007. Bjoern Ignatius Oeckenholdts School of Fine Arts 2008. This light artist creates large-scale sculptural installations from discarded and recycled materials where community volunteers participate, contributing to the collection and preparation of materials. Recent projects in Denmark include: Roskilde Light Festival 2026; Gladsaxe Municipality 2025; Aalborg Municipality/EU Climate Conference 2025; Copenhagen Light Festival; The Ocean Race Aarhus; Geopark Odsherred; and Cutlure Habour Copenhagen Municipality.

Materials

glass, feather balls, metal, ceramic, plastic

Dimensions

330 x 310 x 310 cm

Price on Application

Contact Leonie: leonie.allen@sculpturebythesea.com

Victoria

Why?

‘Why?’ explores perhaps the most important question in our lexicon. ‘Why?’ drives curiosity, knowledge, learning and human progress. This monumental form invites viewers to pause and reflect on the questions shaping our world. More than an object, ‘Why?’ seeks to provoke conversation, challenge assumptions and inspire deeper thinking.

BFA Curtin University 2014. Studied Contemporary Painting at VCA. Group exhibitions in Australia and internationally including: Yarra Sculpture Gallery 2024; Asia Contemporary Art Fair Hong Kong 2016; and Governors Island Art Fair, New York 2015. Work held in private and public collections in Australia, Hong Kong, Japan and USA. Recent public artworks include installations at Wollongong Botanic Gardens and Spring Place, Melbourne.

Materials

mild steel, synthetic polymer paint

Dimensions

270 x 120 x 120 cm

$58,000

Japan

Rooted in Memories

We move through life searching for a place where we feel at ease and can be ourselves. This is not always found outside but quietly nurtured within. Even when shaken by wind and waves, the memories and love within us become the roots that support us.

BFA (Sculpture), Kyoto Seika University, Japan 2023. Focusing on the memories of people and objects, Miyashita creates installation works and sculptures with roots as the motif, using donated clothing and fabric. Represented in private collections in Australia and Japan. Group exhibitions, include the Gakuenmae Art Festival in Nara 2024 and Marble2 Metal Fabric Emotions at Premier Studio 2 Tokyo, 2025. Recipient of the Brillia Art Award Cube Prize, Tokyo 2025. SxS Cottesloe 2026. SxS Bondi 2025.

Materials

kimono fabric, steel

Dimensions

210 x 120 x 120 cm

$9,000

New South Wales

Laughing Kookaburra Data

By zooming in and out of images of the Laughing Kookaburra on her computer screen, the artist translates the pixels and colours she sees into a site specific sculpture that evokes the distinctive form of this iconic Australian bird.

MA (Sculpture, Performance, Installation) with Excellence from UNSW Art & Design 2016. BDes (Visual Communication) UTS 1997. Multidisciplinary practice includes painting, sculpture and installation investigating the relationships humans have with the natural world and the spaces that exist between the virtual and physical worlds. Finalist Ravenswood Womens’ Art Prize, Fisher’s Ghost Art Award. Represented in private collections in UK, USA and Australia including Macquarie Group Collection and UNSW Alumni Women’s Collection. SxS Bondi 2024, 2025.

Materials

aluminium, metal paint

Dimensions

180 x 65 x 24 cm

Sold$12,000

Australian Capital Territory

Phatyma

Phatyma embodies the strength of women rising above oppression and restrictive circumstances with strength, confidence and defiance.

Studied Charles Sturt University, Bathurst. Glass artist for over 40 years using the warm glass method of fusing and slumping. Commenced working with glass under the tuition “of acclaimed Australian artist Warren Langley. Creates large scale sculptural pieces using steel, mesh, concrete and mosaic to form various designs. Private and public commissions in Canberra include St Edmunds College and the Embassy of the United States.

Materials

steel, mesh, concrete, fused glass mosaic

Dimensions

165 x 60 x 90 cm

Sold$18,000

Japan

Oushi Zokei - Enmusubi II

This is one of the two twists of a Möbius strip. A mysterious shape that cannot be separated even when cut. It imagines a good relationship between two people.

Represented in public and private collections in Australia, Denmark, Germany, Iceland, India, Israel, Japan, Mexico, Netherlands, New Zealand, Norway, Spain, Sweden and USA including: Hakone Open Air Museum; Asago Sculpture Park; City of Perth; artsACT; the Holmes a Court Collection Vasse Felix; and the Snowy Valleys Sculpture Trail at Tooma and Talbingo NSW. Sculpture Rocks, Sydney 2021. SxS Aarhus 2009, 2011. SxS Cottesloe 21 times since 2005. SxS Bondi 26 times since 1999. SxS Bondi 2026 marks Keizo Ushio’s 50th Sculpture by the Sea exhibition.

Materials

grey granite, white granite

Dimensions

240 x 215 x 95 cm

SoldPrice on Application

Serbia

Support IV

Support IV explores support through a structure inscribed within a circle, tending toward growth and refinement. The form remains open, where connection and exchange continuously shape its structure toward wholeness.

MA from the Faculty of Applied Arts in Belgrade 2015. Member of the Association of Fine Artists of Serbia. First solo exhibition ‘Fight or Flight’ at ULUS Gallery, Serbia 2015. Participant in over 40 group exhibitions in Serbia and internationally, including NordArt, Germany 2021 - 2026, and The Art Square, Brussels, Belgium 2026. Participated in art residencies and symposiums in Australia and Serbia. SxS Cottesloe 2017. SxS Bondi 2016, 2025.

Materials

corten steel

Dimensions

400 x 150 x 130 cm

Sold$78,000Further editions available

New South Wales

Solander

“A sailor’s heart’s the sea’s plaything.” Ari Grote: The Thousand Autumns of Jacob de Zoet by David Mitchell

James Rogers has been exhibiting sculpture and painting since 1980. He studied at the Darling Downs Institute of Advanced Education and East Sydney Technical College, and taught sculpture part-time at the National Art School, Sydney from 1987 to 2009. He now lives and works in Walcha, NSW. Rogers has held numerous group and solo exhibitions since 1980 including ‘Tunnelvision’ Survey exhibition at Australian National University, Drill Hall Gallery 2020 and most recently ‘Shapeshifting’ at Nanda\Hobbs Gallery, Sydney 2026. Awards include: Aqualand Sculpture Award at Sculpture by the Sea, Bondi 2025; Hancock Prospecting & Roy Hill Acquisitive Award at Sculpture by the Sea, Cottesloe 2023; and the Waverley Council Mayor’s Prize at Sculpture by the Sea, Bondi 2011. His public commissions include ‘Blue Hills’ for Glen Innes Severn Council and ‘Song Cycle’ for Walcha Shire Council. His works are held in collections including Artbank, Australian Club, Hassall Collection, Pt. Leo Estate Sculpture Park and Town of Cottesloe. Exhibited Sculpture by the Sea, Aarhus 2015, Sculpture by the Sea, Cottesloe 2023 and Sculpture by the Sea, Bondi 22 times since 1997.

Materials

steel

Dimensions

246 x 165 x 160 cm

Sold$60,000

Japan

I Thought About Transporting the Moon in a Small Boat

I thought about transporting the beautiful moon in a small boat to my place. To transport the moon that has sunk into the sea, you must put it on a ship. I express that scene in my artwork.

MA Sculpture Kyoto City University 1994. Solo exhibitions including Kaede Gallery, Osaka and Art Space Niji, Kyoto. Represented in private and public collections in Australia, Denmark, Japan, Korea and New Zealand including Town of Cottesloe. SxS Cottesloe 15 times since 2005. SxS Bondi ten times since 2004.

Materials

copper, bronze, corten steel, stainless steel, olive tree, unglazed pot

Dimensions

200 x 340 x 130 cm

Sold$66,000

Denmark

Into the Unknown

Imagination, courage, the call of the unseen. Standing in between realities, the artwork becomes a friend and a companion for the journey with no map. It invites the viewer to step into something new and unfamiliar.

Lives and works in Højer, Denmark. Studied Architecture and Interior Design. Exhibited in over 150 international festivals and art fairs since 2007 including NordArt 2021–2023 and Beijing International Art Biennale 2019. Public artworks in Argentina, Azerbaijan, Canada, China, Cyprus, Denmark, France, Germany, Mexico, New Zealand, Russia, South Korea, Switzerland and Turkey. His work is included in the National Art Museum of China, Beijing. SxS Cottesloe 2024, 2026. SxS Bondi four times since 2023.

Materials

oak wood, paint

Dimensions

250 x 80 x 230 cm

Sold$24,000

China

Ascent (2022)

This work captures a moment full of tension and risk. It suggests a state where something new emerges from fragmentation and balance is found within instability, freezing the moment when life breaks free from gravity.

M (Sculpture) Nanjing University of the Arts. Member of the Jiangsu Sculptors Association and the Jiangsu Young Artists Association. Lecturer, University of China. Numerous group exhibitions in China including at CAAM, CAFA, Jiangsu Art Museum and Nanjing University of the Arts. Solo exhibition at Jinling Art Museum 2025, Guofeng Art Museum 2019, and W Art Space, Nanjing 2020. Represented in public collections including Nanjing Museum and Jinlin Art Museum, China. SxS Bondi 2024, 2025.

Materials

stainless steel

Dimensions

185 x 51 x 36 cm

Sold$43,000

New South Wales

Peace

Peace.

MFA (Sculpture) NAS 2009. Currently works as a lecturer in Sculpture at NAS. Represented in public and private collections in Australia, New Zealand, USA including Neil Balnaves Collection, MB Dingle & GB Hughes Collection, and Lee Tribe Collection. Recipient Major Award SxS Bondi 2007 and Helen Lempriere Scholarship 2010. SxS Cottesloe 2008. SxS Bondi ten times since 2007.

Materials

mild steel

Dimensions

222 x 162 x 130 cm

Sold$55,000

New South Wales

Lithicle (Ephemera Papyrus)

Lithicles nestle into the massive sandstone of the Sydney coast. Found solely between Bondi and Tamarama, colonies appear in late October. Why they amass is not known, but they seem unaffected by the visitors that delight in this fleeting phenomenon.

BSc (Hons) Geology and MAppSc Environmental and Engineering Geology. Studied limestone and marble carving at Tom Bass Sculpture Studio. Works primarily in stone, with an interest in the sculptural possibilities of paper. Group exhibitions include Melbourne International Flower and Garden Show 2025 and McClelland Sculpture Park and Gallery 2024. Public commissions include Cessnock City Council and Lake Macquarie City Council.

Materials

waterproof paper

Dimensions

35 x 35 x 10 cm approx. each

Artist available for commissions

New South Wales

Love

A message, gifted to all those who look up into the blue of the sky on a clear morning. Written with smoke by an advertising airplane. Selling you nothing, instead, offering to remember, in the vast void blue, there is only love.

MFA (Painting), Sydney College of the Arts 2010. Masters of Education, University of Technology Sydney 2013. BVA (Painting) Hons, Sydney College of the Arts 2008. The artist’s public artworks and community projects include installations and murals across the Illawarra and Sydney. Exhibited in solo and group exhibitions across Sydney, Wollongong and internationally, including Shellharbour Civic Centre NSW 2025 and MIRA Group Show, Italy 2011.

Materials

single-engine skywriting aircraft, sky

Artist available for commissions

New South Wales

Sea Level Rise

A house is constructed on sand, symbolising fragility. Through AR, rising sea levels are visualised, gradually engulfing the structure to create an embodied experience of climate change.

Master of Applied Design and Art, Curtin University 2024. BBA and Digital Media Design, Chinese Culture University, Taiwan. Exhibited in selected exhibitions: 3rd Bankstown Biennale, 2024; Manly Art Gallery & Museum 2023; Mundaring Arts Centre WA 2023; ‘Rising Futures’, Alcoa Mandurah Art Gallery WA 2022; Virtual Art Gallery, State University of New York at New Paltz USA 2021; and XR:WA Festival PICA WA 2021.

Materials

wood, XR media augmented reality

Dimensions

57 x 60 x 63 cm

Artist available for commissions

New South Wales | Japan

The Circle Game

We can benefit from re-evaluating traditional building materials and skills which would allow us to better co-exist with nature.

Studied photography and painting in Japan. Studied ceramics and sculpture in Australia. Worked in Zen Garden design and landscaping including four rock gardens commissioned by the AGNSW. Solo exhibitions in Australia and Japan including Jervis Bay Maritime Museum 2024. Work held in public and private collections in Australia, Japan, USA. Clitheroe Foundation Emerging Artists Mentor Program 2008. Public Collections include Sculpture Forest, Snowy Valleys Sculpture Trail at Pilot Hill NSW. Exhibited Sculpture Rocks 2021. Shop Art Project for Snowy Valleys Sculpture Trail in Tumbarumba NSW in 2022. SxS Cottesloe five times since 2011. SxS Bondi nine times since 2006.

Materials

bamboo, rope, wire, sand bags

Dimensions

500 x 600 x 600 cm

Not for sale

Western Australia

ART (Artificial Real Time)

This sculpture explores the tension between our reliance on AI and the potential loss of personal identity. The figure symbolises the growing influence of AI in art and creativity, suggesting a diminishing personal touch and unique identity as technology becomes more dominant. The central figure’s lack of colour highlights the erosion of individuality and artistic authenticity in our increasing dependence on technology.

BA (Science of Architecture), Italy. M (Architecture) UWA. Recipient Alcoa Aluminium Sculpture Award SxS Cottesloe 2023. Received award for Australasia in Victoria + Albert International Design Competition 2020 and YAC international design competition finalist 2021. SxS Cottesloe four times since 2022.

Materials

plastic

Dimensions

185 x 500 x 40 cm

Not for sale — artist available for commissions